Wednesday, February 11, 2009

Matchstick Bot

Remember last time I was talking about how I was drawing with matchsticks? Sure you do! Well here's another one that I did
Again, it's a combination of ink-pen and match-stick. All of the shading is done with burnt matches. I think that I like the treatment of this image better than the previous image, but I like the previous image better than this one overall, this being more of a doodle.

I have been thinking about the white border more lately, though. I hadn't given it much thought in the past, but I'm starting to think it has significance beyond "I like how it looks". For one thing, it gives the image a bit more definition, a space if you will. Something I'm generally searching for is a definition or space. But on another level, that definition is also a sort of a surrounding feeling thingy. Sort of like it's captured in that defined space, unable to move outside of it, where there is (often) color, or shading, or depth, or something more abstract. As such, I've added another tag "border" so I, or you, can look at all those things together and maybe get a better idea as to what's going on with it.

Or maybe it just looks good and it's easy to do.

Thursday, February 5, 2009

The future . . .?

Well, recently my girlfriend in Iraq broke up with me. She said it was too hard being that far apart, especially with such a time difference. See the time difference made it hard to find a time for us to talk that wasn't cutting into the other's work or sleep or something. She started working more to occupy her mind and it just sort of pushed me out. Now I can at least kind of understand what she's talking about. And believe me, there's more to it than I just said, but I'm not going to go into her personal life with perfect strangers who don't even bother to post comments (yes, you!).

That all went down 'round the New Year. But lately, she wants to talk more. She's lonely and homesick and she's having a hard time finding a sympathetic ear. I can't stand to see someone reaching out and not finding anything. That just sucks. So I want to help her. I want to listen and be her friend and keep her spirits up, especially since she's serving our country in a desert combat zone. Regardless of feelings about the war, or war in general, our troops deserve to be supported.

But the tricky thing is, if I open back up like this, I'm likely to get hurt again. I tend to fall easily and she is easy to fall for. So I drew this in DS Colors!:
[click for to make bigger]
And then the next day I drew this:

[click for to make much bigger]
You may notice that both guys are looking up into the sky. I kind of wanted to draw a UFO or something, but it would have been to close to them to reflect the idea that whatever it is that has their astounded attention is still a ways off. And I wanted to use the words "Not again", but I didn't want it to be that obvious. But the point of both of these drawings is along the lines of "I can see it coming, and I'm just standing here, watching it get closer. I'm not running. I'm not trying to get out of its way or get closer. It'll probably hit me, though, if I just keep standing here. . ." And that's about how I feel. Paralyzed with fear: Help her and hurt me and then hurt her? Hurt her and help me and hurt me? Hurt me, her and then help us both? Help her, me and then hurt all around? Some other combination of hurt and help? I just don't know. . . You may note that both are bald and have a "soul patch", even though they're "self-portraits". I still have some hair (and while my usual self-portraits are fairly bald, they still have some hair) and a full goat-tee. I have been focused on the chin area of the facial hair of late, but I doubt that has any real-world significance. It could explain the drawings a bit, though.

Now for a few words on media. The bottom drawing ("Shit") is a combination of ink pen and match sticks. The hard lines are all Bic pen, the shading is all matchsticks. I recently had a conversation with someone about the merits of charcoal and the merits of graphite. I generally prefer graphite, probably because I've all-my-life drawn with pencil. But charcoal is fun too. Partly because it's messy. You get done with a charcoal drawing and you know you've been drawing! Graphite is a bit messy, too, but not as bad. Graphite gives you a sheen that charcoal doesn't. Charcoal gives you a darkness that graphite doesn't. So it's whatever works for you that matters in the end. At any rate, I've been using stick-matches to light my cigarettes and I decided to draw with them. After a couple of silly little drawings all in burnt wood, I decided it would be cool to mix it with something that gave a more stark and definitive line: ink. I like the results, though I'm clearly out of practice with charcoal.